EL Nikkor 63mm F3.5 Chapter 2
EL Nikkor 63mm F3.5    Chapter 2

EL Nikkor 63mm F3.5,   ASA 400   F8   1/3200 sec.   -1.0

Nikon Z Album

I mounted the EL Nikkor 63mm F3.5 lens on my Nikon Z 6 and took the following pictures. The EL Nikkor 63mm F3.5 lens generated cool and excellent images at medium and long distances.

EL Nikkor 63mm F3.5

Carry It with You Everywhere

The EL Nikkor 63mm F3.5 lens is compact, lightweight and versatile enough for everyday photography, including flattering people shots and breathtaking landscapes, so you get brilliant results in most situations without switching lenses.

EL Nikkor 63mm F3.5

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

If you carefully determine the exposure, you can get a sense of reality. A sound like a live recording crossing the iron bridge from left to right was reflected in the image.

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1600 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 200   F8   1/1000 sec.   -0 +0

EL Nikkor 63mm F3.5

Early Summer Rays

I see rays of light with a wavelength of 546.07 nm with mass. The sound of wind can be heard even in the shade of trees. The lens with its straightforward rendering is pleasant to shoot with.

EL Nikkor 63mm F3.5,   ASA 400   F8   1/250 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 400   F8   1/250 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 400   F8   1/1000 sec.   -0.7

EL Nikkor 63mm F3.5,   ASA 800   F8   1/640 sec.   -1.0

EL Nikkor 63mm F3.5

Bright Quiet Afternoon

The pictures were taken in aperture priority auto mode. I left it to the camera's preferred exposure. The images with exposure compensation plus or minus zero. Indeed, the view with my eyes is almost similar to these pictures. The brighter the better.

EL Nikkor 63mm F3.5,   ASA 400   F8   1/1250 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 400   F8   1/1000 sec.   -0 +0

EL Nikkor 63mm F3.5,   ASA 400   F8   1/1250 sec.   -0 +0

High Fidelity to the Original Sound

Colors can be roughly and simply categorized into bass, middle, and treble tones. Each light has no distinct boundaries, but I do not observe spectral lines. It is enough to think that the sounds we hear with our ears and the colors we see with our eyes are the same. The relationship between sound (frequency) and color (wavelength) is academically discussed by professional researchers and is helpful.

EL Nikkor 63mm F3.5,   ASA 800   F8   1/1600 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 800   F8   1/1600 sec.   -0.7

I tried to bring out the faithful descriptive performance of the EL Nikkor 63mm F3.5 to the original sound. It rises like a high-end high-performance amplifier and has a strong pressure of color in addition to a sense of speed. The front element of the EL Nikkor 63mm F3.5 lens is as transparent and beautiful as crystal.

EL Nikkor 63mm F3.5

EL Nikkor 63mm F3.5,   ASA 800   F8   1/1600 sec.   -0.7

EL Nikkor 63mm F3.5,   ASA 1600   F8   1/800 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 1600   F8   1/2000 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 1600   F8   1/3200 sec.   -1.0

EL Nikkor 63mm F3.5,   ASA 1600   F8   1/1250 sec.   -0.7

EL Nikkor 63mm F3.5,   ASA 800   F8   1/2500 sec.   -0.7

Ultra-precision Rendering

I tried to keep the exposure low to get the sharpness of the image. The colors appeared more condensed and deeper than I had actually seen with my eyes. The images of the leaves on the trees are extremely good. The true essence of the EL Nikkor 63mm F3.5 lies in its brilliant, ultra-precise rendering.

EL Nikkor 63mm F3.5,   ASA 400   F8   1/3200 sec.   -1.0

EL Nikkor 63mm F3.5,   ASA 400   F8   1/3200 sec.   -1.0

EL Nikkor 63mm F3.5,   ASA 400   F8   1/3200 sec.   -1.0

EL Nikkor 63mm F3.5,   ASA 400   F8   1/3200 sec.   -1.0

The Last Days of Summer

Without relying on Artificial Intelligence, I used only one EL Nikkor 63mm F3.5 lens to visualize the end of summer. If you can hear the invisible sound, that's all right.

EL Nikkor 63mm F3.5,   ASA 200   F5.6   1/6400 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 200   F5.6   1/5000 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 200   F5.6   1/6400 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 200   F5.6   1/6400 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 200   F5.6   1/6400 sec.   -0.3

EL Nikkor 63mm F3.5,   ASA 200   F5.6   1/6400 sec.   -0.3

EL Nikkor 63mm F3.5

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Copyright Michio Akiyama, Tokyo Japan 2022