Beautiful Grace Röntgen Xebec 5cm F1.5 Lens
Beautiful Grace Röntgen Xebec 5cm F1.5 Lens

Vintage and Historical Legacy Lenses

Presence of a Lens Over Time and Space

A Beautiful Universe Planet

You may feel the Japanese traditional beauty and power of the Xebec 5cm F1.5 Lens.

Metaphysical Lens Composition

Japanese Traditional Beauty and Xebec 5cm F1.5 Lens

Mysterious Lens Depiction and Medieval Japanese Literary Color

Milky Glassy Flowers

Grace and Elegance

History of the Röntgen Xebec 5cm F1.5 Lens

The Röntgen Xebec 5cm F1.5 lens was attached to the following X-ray camera set.

NIPPON-KOKEN's Indirect X-ray Camera Set

This X-ray camera set was manufactured by NIPPON-KOKEN. NIPPON-KOKEN was established in April 1943 in Tokyo to manufacture X-ray equipment.

Kaze Tachinu

Tatsuo Hori's novel "Kaze Tachinu" published in 1938 is a sad story that the fictional heroin dies of tuberculosis. At that time in Japan there were many people who died of tuberculosis.

Kaze Tachinu, The Wind Rises by Tatsuo Hori and Röntgen Xebec 5cm F1.5

NIPPON-KOKEN's Indirect X-ray Camera

Direct shooting of X-ray required huge equipment and darkroom. To solve this problem, a method of fluorescent image photographing by an X-ray indirect imaging apparatus was established.

In 1942, the Ministry of Health and Welfare of Japan established a fluorescent screen size of 35 cm x 35 cm as a standard. The screen size of the X-ray camera film was 24 mm x 24 mm. It was possible to take 50 pictures with one film magazine.

NIPPON-KOKEN's Indirect X-ray Camera and Lens Unit

NIPPON-KOKEN's Indirect X-ray Cameras

Beautiful Xebec 5cm F1.5 Lens

The screw diameter of this lens mount is 35.7 mm.
The filter attachment size is 41.0 mm.

Separate Front and Rear Lens Elements

→ Next    Chapter 3    Kajiro Brothers and Kajiro Optical Laboratory

Shortcuts Here

Chapter 1     Röntgen Xebec 5cm F1.5 Lens
Chapter 2     NIPPON-KOKEN's Indirect X-ray Camera
Chapter 3     Kajiro Brothers and Kajiro Optical Laboratory
Chapter 4     Nikon Z Album


Copyright Michio Akiyama, Tokyo Japan 2017, 2021